Bathroom Monologue: Reasons why I should write the new Legendary Pictures Godzilla reboot.

Dear Legendary Pictures,

I am aware you are in the planning stages for a new American Godzilla franchise. As a writer and longstanding fan of giant monsters, I am concerned for the film. Nobody needs another TriStar Godzilla. I am a versatile steward, capable of writing a screenplay featuring series favorites like King Ghidorah, lesser Toho rogues like Gorosaurus, or recognizable creatures in the public domain, like one of those giant Buddha statues in China that is animated by science gone wrong. Yet I am not offering myself merely as a writer, but in every facet of my being to ensure a quality film.

You may wonder what services a professional writer can offer besides a dynamite screenplay featuring a minimum of five giant monster battles. Well for one thing, hiring me will make storyboards obsolete. I will slouch, pull my elbows to my chest and enact any Godzilla sequence for directors, actors and/or catering staff whenever necessary. This way you will know exactly how stage directions are supposed to go. I make a very believable radioactive breath sound, too.

Scientists suggest that between seven or eight hours of sleep are optimal for the human body. Thanks to a lumpy mattress I haven’t slept a full night in months, and believe these scientists to be sissies. I will gladly sleep only three hours a night, spending the remainder of the dark hours showing your actors how to portray realistic fear of titanic threats, patching up and airbrushing dinosaur costumes, and setting up tiny Lego towns.

Do not mistake these services as a smokescreen for lazy writing. Not only will I produce a screenplay immediately upon request, but I’ll stay on set to re-write any lines you dislike, and to play sounding board if the actors try to adlib. I will set up a tent near the fire escape, my pen living within the range of your beck and call. My screenwriting will only cease once the film is distributed to theatres, at which point I will happily deploy to any theatres where you would like audiences to have their reactions scripted.

I cannot stress my devotion to the project enough. If at any time you feel the extras are slacking and someone needs to literally be crushed to death to appropriately express Godzilla’s magnitude, I will sacrifice myself. I can’t think of a better way to die than beneath a mammoth foot.

And I will do all of this for one dollar. Being a professional writer I do not work for free. But realistically, even if you throw it away and keep two gag jokes, it’ll have been a worthwhile investment in your eight-digit-budgeted film. Not that you’d want to throw this screenplay away – it’s going to be awesome, especially when Godzilla and Jesus team up to take down the Idolatrous Ro-Beast, Mecca-Jesus. I am fully knowledgeable about series history, having seen every Godzilla film multiple times. Even Godzilla’s Revenge, one of the worst films to ever be screened on multiple continents, and I’ve seen that sucker eight times. Thanks, WPIX New York.

Sincerely,
John Wiswell