This is one of the oldest apocalypses, though the most
recent that had signs of deliberate and divine intervention. This is at least
thirty apocalypses ago, and there’s precious little record of it. Still, no
matter how true it is, it’s quite popular, especially on this side of the Uncanny Valley, where the government isn’t so
popular.
It came about because of a construction job. They were one
of the first empires in the history of the world, maybe the very first. A
little club of warlords, of gremlins and satyrs and humans, the most pernicious
critters in the west, got their peoples together. No two tribes spoke the same
tongue, and no dissidents were permitted within their tribes, so they didn’t
know what they were doing until they showed up.
High in the Cloud Hills, the tallest mountains anyone’s ever
climbed, they carried stone slabs. Some were so huge we still can’t figure how
they got them up there, but there they still stand. They enslaved the nine-legs
and dorads and centaurs, and the vampires to labor at night. They spread the
infection so as to have a more active nocturnal construction crew, which soon
outpaced the daytime one.
No laborer knew anymore than where he was putting his block.
They couldn’t discuss it, and so it was weeks before they realized their slabs
were coalescing into the shape of tower. And though the peoples were ignorant
and hungry, they took pride in their grand structure, for every day it
stretched taller than any person had ever been. It pierced the clouds, and laborers
perished walking through thunderstorms. Others froze from the ethereal climate.
There seemed to be sudden and wicked weather up there, as though the sky was
fighting back. The stairs grew increasingly narrow and soon slick, such that
centaurs could no longer navigate them, and new diseases brewed at those
terrifying heights, traveling down the tower and out into the world.
But it wasn’t a plague that ended this tower-building reign.
It was a miracle, or a metaphor, depending on your bend. One morning all the
species of the world awoke speaking the same language. Centaurs awoke beside
slave-satyrs to find they fully comprehended each other, and their human
overlords, and their gremlin architects. Our sources attribute the one language
to serpentine gods, which hints at which species wrote the sources.
The first news was the common language, a tongue reporting
on itself. But the second story to shoot down the tower were details of what
was being constructed, at its base, and at the top, and what for. This tower was
a conduit to control the sky, from which their rulers could lob lightning across
the entire continent, or deny rain to anyone’s crops, and otherwise ensure
expansion of the empire. Plans ran down the tower
faster than any pair of feet, such as those to annihilate unruly tribes, many
folk of which had come to help build this as a peace offering.
An informed public can be hazardous to tyrants. When that
informed public grossly outnumbers you and is already inside your monstrous
tower, they are potentially more hazardous. That morning workers at the
foundation looked up to see it raining politicians.
Like all great towers, they topple the hardest. I loved this line 'There seemed to be sudden and wicked weather up there, as though the sky was fighting back.' It was very visual to me.
ReplyDeleteThanks Helen! That whole bit is my favorite of the paragraphs. It's when the story seemed to click in my tired head.
DeleteNice job of turning the tower story on its head and some great political commentary.
ReplyDeleteThis sentence doesn't look right to me: "Plans to annihilate unruly tribes ran down the tower faster than any pair of feet, such as those to annihilate unruly tribes, many folk of which had come to help build this as a peace offering."
It doesn't look right because it's a mess. Thanks for pointing it out, Tim. Hope the corrected version is coherent to you.
DeleteYup. And now, of course, the whole thing is brilliant.
DeleteHaha, well thank you, kind Siree.
DeleteSome tight writing here (sentence above excepted). Loved the raining of politicians and the opening line. And even though you insert these fantastical elements, the story itself, grounded in political and social reality, has a concreteness to it that gives it believability. An Atwood mentality. Peace...
ReplyDeleteThe Atwood comparison is a little flattering, Linda! Though I think she'd drop this story at the first whiff of satyrs. Glad it spoke to you, and that you found the writing tight. Did anything hit you as particularly snug?
DeleteAh, to continue on ignorantly we would....well, continue on. So much for comprehension. Great visuals throughout, very well told story John!
ReplyDeleteAny visuals you particularly enjoyed, Deanna?
DeleteNice inversion of the story, and good way to say that communication is at the bedrock of pretty much everything.
ReplyDeleteHard to write stories without communication. I know. I've tried.
DeleteIt's hard to insult someone when they don't speak the same language as you.
ReplyDeleteIn para. 4, did you mean "convalescing" or "coalescing"?
You bet I did. I appreciate you and Tim catching these. Had the idea all day, but only wrote it at midnight as I was about to pass out. Suboptimal performance timing.
DeleteThe tags suggest this is part of the mythology of your book? Cool. Nice inversion of the Babel story, and loved the line about raining politicians. (Seems the weather turned intelligent for a moment.)
ReplyDeleteIt is indeed. This and the Sunrise Apocalypse #fridayflashes are from the history of the world both my WIP-novels are set in. Thanks!
Deleteah, the parallels :) another great story, beautifully crafted.
ReplyDeleteThank you kindly, Sylvia. What felt beautiful in its craft for you?
Delete"We don't know what wiped out their unilinguistic utopia," loved that line. "Unilinguistic utopia" almost feels like an oxymoron to me as I've always been intrigued by languages I don't understand. This felt to me like set up for a longer tale, so it's interesting to learn from the other comments that this is part of the world in which your novels are set.
ReplyDeleteYes, I've got a fairly long history for this world. Since I've been spending so much time writing and editing novels set in it, some days it just seems proper to go into some of its major events. The poor continent has seen a great number of apocalypses, one incidentally setting up the next.
DeleteGreat writing, as always John.
ReplyDeleteThe idea of "Raining politicians" pleases me very much. :)
I figured some people would get a grim kick out of that...
DeleteI liked how you used vampires to work the night shift. "That morning workers at the foundation looked up to see it raining politicians." Was my favourite line.
ReplyDeleteIf your WIPs are anything like this I'm sure they're going to be very good. Talking about the tone and the vividness of the world.
I'll admit the tone of the novels is different from this, as they're more entrenched in the particular experiences of people in their given ages. Even the tones of the two novels differ drastically from each other, but it all rests on the very same, wide world. Thank you for the kind words, Craig. I hope you'll enjoy them as they come up for air.
DeleteCool mythology and brilliantly done.
ReplyDeleteAdam B @revhappiness
Glad you enjoyed it, Adam! Any particular element of the execution you enjoyed?
DeleteI'm all for more apocalypses! I like this twist on the tower of Babel myth.
ReplyDeleteIt's a twist I'd been thinking about since I was a kid. I'd seen enough fights, as I'm sure you had, that were facilitated by people speaking the language.
DeleteWilliam Burroughs was right, language is viral. And the problem we have today is I think the opposite of this, we have regressed to the Babel Tower state instead of a shared tongue, I think because we can no longer agree on any absolutes to anchor language, value and perception round. But equally as you show, a unity of tongue would probably just initiate different power mongering stratagems anyway...
ReplyDeletemarc nash
I loved this one, particularly the metafiction bits.
ReplyDeleteBrilliant blend between fiction and politics. The words are flowing better into my mind now that I am not tired like last night.
ReplyDeleteI have to agree with Marc. Metaphorically or not the unity of tongue is the missing element in a society so divided.
I love the idea of the language story being flipped on its head so that a common tongue is a bigger problem than diversity.
ReplyDeleteIf it did rain politicians, I'd roll out my welcoming spikes.
ReplyDeleteAs always with your work, there are so many levels of interpretation operating all at the same time.. universal language, mythology, politics, religion.. the only theme missing is porn.. har har...I love the way the tone shifts too.. from folksy to near-biblical..It also reminds me of Ayn Rand ...without the nazis!
ReplyDeleteunilinguistic utopia -> I like. Also like the idea about night time vampire labor. LOL
ReplyDelete