Showing posts with label Publishing. Show all posts
Showing posts with label Publishing. Show all posts

Monday, April 15, 2024

John Wiswell's Tour Schedule for 2024

Now that my book is out in the world, I have to go follow it!

On this post you'll find every official event and convention I'll be attending this year. I'll add events to this page as contracts are signed. Especially if we're at the same con, please say hi! I love meeting folks and signing books.

You'll notice some events are tagged as (VIRTUAL). These are ones where I'll only be attending online, or that are entirely online events. I'm trying to do at least a few of these to reach readers who live outside of my travel's reach.

 See you out there!

Wednesday, February 21, 2024

Someone You Can Build A Nest In launches on April 2nd!

My debut novel is extremely nigh! It releases April 2nd in the U.S., and April 11th in the U.K.. In this post, I'll walk you through everything you need to know.

Let's start here: what is Someone You Can Build A Nest In about?

Shesheshen is a shapeshifting monster who lurks in the ruins of an isthmus, fending off monster hunters and other vile humans. After she is poisoned and driven off a cliff, she's rescued by Homily, a bookish and gentle lady who mistakes Shesheshen for a fellow human. Homily nurses her back to health, and Shesheshen is shocked to find herself growing attached. Homily seems to be an outcast like herself. The more they fall in love, the harder it is for Shesheshen to hide her true identity. She has to confess. But just as she's about to come clean, Homily reveals why she's visiting in the isthmus. Homily is hunting a shapeshifting monster. Has Shesheshen seen it anywhere?
You can read the first chapter for free at Reactor.

The pre-release experience has been overwhelming. I keep getting tagged by readers who got advanced copies and have fallen in love with Shesheshen and Homily. Recently The Library Journal gave Someone You Can Build A Best In a starred review and named it the Debut of the Month for April. Ingram named it one of the three Best of the Best Science Fiction and Fantasy Books for 2024. Someone You Can Build A Nest In has also graced numerous Most Anticipated Bookslists, including Literary Hub, Apple Books, Polygon, FanFiAdddict, Reactor (A.K.A. Tor.com), and Winter is Coming.

The responses from authors has been amazing, too.

"Someone You Can Build A Nest In is sweetly furious, darkly funny, and gruesomely wholesome. It's a love story for the unloved, a happily-ever-after with a higher-than-average body count. I just adored it."
—Alix E. Harrow, New York Times-bestselling author of Starling House and The Ten Thousand Doors of January

“Surprisingly sweet, unsurprisingly horrific, and entirely humane—only John Wiswell could have written this monster and her book, and I'm so very glad he did.”’
—Arkady Martine, Hugo Award-winning author of A Memory Called Empire

“I love the wonder and the darkly enchanting danger of this story. It makes me think of fairy tales, but John Wiswell understands what so many have forgotten: that true fairy tales are gruesome and magical at the same time, and he nails it here.”
—C.L. Polk, bestselling author of Midnight Bargain and Even Though I Knew the End

“Someone You Can Build a Nest In is the future of fantasy: a fairy tale with boundaries, an
imaginative world created in the shape of collective values rather than the boring old id, a portal to a place you've really never seen before instead of just a princess in a different outfit. This novel is going to change the entire genre.”
—Meg Elison, Hugo and Locus award-winning author of The Book of the Unnamed Midwife

Pre-orders are available at all major book websites.

Wednesday, March 2, 2016

Great Things I Read in February



February is one of those months when I'm grateful to do lists like this. I've been so busy with healthcare problems and editing that, until I checked the list, I thought I hadn't read anything special. Life can get so busy that it's easy to forget all the great art that flies by.

As usual, I'm collecting great short fiction and non-fiction that's free to read on the web.

Fiction
"Between Dragons and Their Wrath" by An Owomoyela and Rachel Swirsky at Clarkesworld
-No short story has haunted me more in the last month than this. The dragons are a metaphysical terror, casting a shadow of mutations across the landscape of two absolutely lovely characters. With scenes whipping by, each has a punch, even in the last line.

"43 Responses to In Memory of Dr. Alexandra Nato" by Barbara Barnett at Daily Science Fiction - I love stories that creatively use unusual real world formats, and here's a story told through a Comments thread. It's a bunch of believers who might be experiencing a haunting, since one of their dead friends seems to have shown up and is poking at their insecurities. It can't help but be funny and creepy at the same time, which is hard to pull off, especially with such limitations. Masterful work.

"Lotus Face and the Fox" by Nghi Vo at Uncanny Magazine
-Two god-masked figures pull off a little robbery in the dead of night, and it keeps up its creative enthusiasm from there. It feels flash-length despite being longer because of energetic pacing and a lovely handling of its world.

"Ars Longa, Amor Brevis" by David Twiddy at The Sockdolager
-Two pretentious master-artists bicker over their accounts of a calamity that their magical arts *may* have brought about. A fine use of homunculi! I actually beta read this story, but it's only grown stronger since the version I saw in 2015.

Saturday, February 6, 2016

Great Things I've Been Reading (December/January Combo Edition)

December ended busily with Books of the Year and Games of the Year posts, so I couldn't fit my normal short story/non-fiction round-up. January is now in our rear-view mirrors, so I figured I'd lump the two months together now.

As always, the rule is that whatever I link is free-to-read with no paywall. The selection will be bigger for this post, but it still feels too short, mostly for the December stories that melted from my memory with the pressure of deadlines and the holidays.

Thursday, January 14, 2016

Most Anticipated Books (and other things) for 2016

Hello, January! What a nice year you've brought behind you. Today I want to share the books I'm most looking forward to this year. Like every year there will be huge surprises, but there's already outrageous promise for what we can read. I've added a couple of games and movies to the end, because anticipation isn't reserved just for writing. But damned if I won't be unreachable the week Children of Earth and Sky releases.


The Drowning Eyes by Emily Foster
(Right Now, Tor.com)

The first book on my list is actually releasing this week! One of Tor.com's hot novellas, The Drowning Eyes is a tale of the high seas, and the people that control the wind behind your sails. Wind mages are a great idea for pirate stories. Their power stopped raiders for years, but that magic has been stolen, forcing an intrepid captain to risk her ship and crew to get it back.

Monday, December 28, 2015

BestReads2015: My Favorite Books I Read in 2015


My favorite thing about BestReads is remembering how many special books I encountered in a year. It's easy to take great literature and fun stories for granted, but when I put them side-by-side like this, I feel privileged.

My picks are not ranked. Ranking is generally ridiculous for the arts, but obscene when you're compiling what art moved you the most. As always, the rules are you can list whatever you read for the time this year. You're not limited to what came out this year, as my first pick shows.

If you do your own BestReads2015 post, hit me up in the comments and I'll link you at the bottom of this post.

Friday, December 11, 2015

#BestReads2015 Is Coming



It's December, which means it's Best Reads time. This is an annual event for bloggers asking what your favorite books were of the last year. BestReads2015 launches Monday, December 28th. That gets it out of the way of Christmas, and gives you a couple more weeks to finish your reading. I know I have five books I really want to polish off before I give up on 2015.

As opposed to Best of the Year lists, this can include any books you read for the first time this year. It includes anything from 2014 you only caught onto now (I presume The Martian will hit a few lists), as well as classics. As someone who's always catching up on older works, my list will probably be half things published over a decade ago. The Color Purple is fricking good.

The tradition is to list your favorite books of the year and write a little about them. You can list as many and write as much about each as you like - there is no mandated standard. A Dirty Dozen or a Top Three? Both work. If you post, let me know and I'll add your link to my post on the 28th. The easiest way is in the comments of one of these posts.

So think on it. What are your favorite books that you read this year? Not what was written or published in 2015, but that you personally read and loved for the first time. Fiction, non-fiction, prose, poetry and sequential art are all welcome. You can handle the number and format as you like.

On Twitter, our hashtag will be #BestReads2015. Feel free to launch questions below. We'll field them together.

Friday, December 4, 2015

Great Things I Read in November

My November reading got cut short by some health problems, but I still crossed several amazing short pieces. Since October, I've started a tradition of linking to the best free short fiction and non-fiction pieces I read in a given month. Most of these were published in November (naturally), but selections can come from anytime, so long as there is no paywall between the reader and the story.

I'm always looking for more great stories. If you have anything you've been loving, please link me up in the comments.

Also, this feature needs a better title. Please rattle off ideas if you have them.

Fiction
"The Game of Smash and Recovery" by Kelly Link at Strange Horizons 
-That Link magic kicks in after half a paragraph, when you realize Anat isn't just an adoring little sister, but a flamethrower-wielding vampire hunter. Possibly part of the last duo on earth. In such short scenes it alternates between dark and funny (the vampires might be stranded aliens?), bittersweet (she longs to meet her absent parents, and dreads her brother disappearing), and legitimately sweet (those birthdays, though). I adore how all the bits come together. Link remains one of the greatest short story writers I've ever read, doubly admirable for continually trying the hard things and making them look easy.

"Dispatches From a Hole in the World" by Sunny Moraine at Nightmare Magazine
-Trigger Warning for Suicide. This is a story about a viral epidemic of suicides that science has so far failed to figure out or combat. The grant student goes through case after gruesome case, gradually being worn down by the awful things she studies, and we fear she'll be infected by whatever this thing is. Could despair itself be a villain of Horror?

"The Customer Is Always Right" by Anna Salonen at Mothership Zeta 
-One of those successful all-dialogue stories that pulls off the sense of things actually happening while all you get is chatter. Also, death rays! It's the story of a customer service call for a malfunctioning death ray and just gets funnier as it goes along.

"Horror Story" by Carmen Maria Machado at Granta
-After all the Horror I've read, why did I relish a short that's mostly about figuring out what creepy crawly was stalking their apartment? Because Machado's story uses those tropes to deliver something else entirely at the end. She unfurls her idea slowly and assuredly, through gradual hints of a drain malfunctioning, of escalating blame, in a tight package that hands off to an abrupt and highly unusual ending.


Non-Fiction
"Everything is Miscellaneous: Why Publishing Needs Tagging" by Michael R. Underwood at Boing Boing
-There are more books in print today than you could ever read, so we need better methods of discoverability. Underwood recommends adopting fanfic-like tagging systems, with idea clouds identifying this novel has Dinosaurs, Coca Cola Product Placement, and Steamy Sex Scenes. It works for Trigger Warnings (hold your outrage; they're useful to people with actual psychological triggers), but are also greatly useful in finding books to meet your specific mood. Amazon has pushed its sub-categories, but the book-space still needs more robust discoverability options. It's an excellent proposal.

"How to be a Genderqueer Feminist" by Laurie Penny at Buzzfeed
-Feminism is supposed to be about equity for all, but historically has had trouble supporting anyone but cis white women. It's getting better, and discussions like this one are why. Here is a beautiful article about someone who identifies as neither male nor female, who believes passionately in some of Feminism, but whose identity is met with hostility by many adherents. It's food for compassion and expanding dogmas.

"Indonesia plans prison guarded by crocodiles for drug convicts" by Kesavan Unnikrishnah at Digital Journal
-"It’s not a human rights violation when a crocodile does the killing," says Slamet Pribadi, proposing a prison guarded by crocodiles. If you want to read it and gape in horror or laugh at the absurdity, it works for both. This, the Inodesian government believes, will be safer because unlike human guards, crocodiles can't be bribed.

"Campus Activists Weaponize 'Safe Space'" by Conor Friedersdorf at The Atlantic
-Breaking down the recorded instance of Tim Tai, an Asian American photographer who was bullied by a crowd of fellow students into not photographing events in a public space. They demanded he not touch them while marching towards him, said he had no right to photograph them (and ignored when he explained the First Amendment), and claimed the space was only for students despite the photographer being a student at the university. Tai was contracted for the work by ESPN, an outlet the protesters dislike, and so bent every rule available to themselves to intimidate him. Safe Space policies are necessary and indispensable, but it's important to consider how they can be abused as we move forward.

-The Binding of Isaac is a videogame that's gained a cult following for being weird, but its latest expansion took that further. Fans suspected there were hidden levels, enemies, and characters locked away with no sign of how to reach them. Players dug up files from inside the game itself and followed the developer's cryptic tweets until they were combing real-life wilderness and amusement parks for clues over what was in the game. You dream of engaging with your audience that profoundly.

Wednesday, November 18, 2015

"Making Her" in the inaugural Charleston Anvil

I'm proud to announce my short story, "Making Her," is live in the inaugural issue of The Charleston Anvil!

"Making Her" is one of the Bathroom Monologues I'm most proud. It's an unusual dialogue-only story in that it doesn't tell the normal conversational plot. Instead, it's about the people trying to define a girl's life for her as she's just trying to grow up and stay sane. If you miss my experimental fiction, this one's for you.

My story is running alongside work by Andrea Tsurumi, John Butterworth, and Randall Nichols. Randall has contributed his short, "The North Star," a neat tale I had the privilege of beta reading a while back. It's even sharper now.

The digital version of The Charleston Anvil is on sale forPay What You Want. That means you can download it for free right now. They'll be able to afford more authors and issues if you feel like contributing a little, but they'll leave how much it's worth to you. It's a model I respect.

Monday, September 7, 2015

"Bones at the Door" is out in the new Fireside Fiction

I'm thrilled to present my flash story, "Bones at the Door," as part of the newest issue of Fireside Fiction.

On Monday, a squirrel skeleton appeared on the sidewalk in front of Mandy's house. Her parents didn't listen until Tuesday, when a cat's skeleton appeared on their front steps. On Wednesday, it was a dog's backbone at their door. The adults were terrified, but Mandy had an idea. This story is her idea.

The story appears in Fireside alongside work from acclaimed writers Sofia Samatar, Keffy Kehrli, and Lilith Saintcrow. I'm flattered to be in their company. Editor Brian J. White has done a heck of a job with this issue.

You can read "Bones at the Door" on Fireside Fiction's website here.

If you want to support this wonderful magazine, you can subscribe or hit up its Patreon here. The full issue will be up for sale soon.

This is one of those stories I showed to very few people. It's atypical Horror that I feared would actually get Fireside to blacklist me, and praise be to Cassie Nichols and Max Cantor for both helping me edit it, and for convincing me to send it their way. Both Cassie and Max have always been lovely friends and beta readers. You'd be lucky to meet them.

Sunday, June 28, 2015

A Bibliography for 4th Street Fantasy 2015

Below is a bibliography of works discussed across the eleven panels at 4th Street Fantasy this year. It was taken mostly from the whiteboard postings, many of which were written by Tom Whitmore. If anyone has names of other whiteboard scribes, I'd like to include them.

Panel 8, on Playing The Cards You Weren't Dealt, was so author focused that I don't think we have a list for it, but if someone has one, I'd be happy to include it.

I've added author attribution to unattributed books where I could. In some cases only authors were named rather than works. These have been kept just as author names.

Panel 1: Does the Arc of Fantasy Bend Toward Justice
Colin Cotterill
Heroes Die by Matthew Woodring Stover
Blade of Tyshalle by Matthew Stover
A Thousand Perfect Things by Kay Kenyon
The Demolished Man by Alfred Bester
Jo Walton's The Just City
Robert Jackson Bennett's City of Stairs
K.J. Parker

Wednesday, June 24, 2015

"Alligators by Twitter" at The Sockdolager

This week I'm happy to present "Alligators by Twitter," the story of a simple man who'd just like to trend worldwide before he's eaten alive.

The story originally ran at Flash Fiction Online five years ago, but the way we use Twitter has changed since then. The editors helped me update the story a bit, and I think the ending is even funnier now. Thanks to Paul Starr and Alison Wilgus, who have gathered a fine issue for the summer.

On top of that, I'm packing for 4th Street, a convention in Minnesota. I'll be doing my first panel there, discussing self-care for authors. I hope to have a glowing report for you when I get back.

Thursday, May 14, 2015

My 2015 Convention Schedule

Since I keep getting questions about where people can find me this year, I'm sharing my convention schedule. I'll be traveling to four cons in four states. This ignores Boskone from February, which was more of a snow day than a convention anyway.


June 26-28
4th Street Fantasy
Minneapolis, Minnesota

July 9-12
Readercon
Burlington, Massachusetts (no, not Vermont)

July 24-26
Otakon
Baltimore, Maryland

November 5-8
World Fantasy
Saratoga Springs, New York

Originally I'd intended to hit WorldCon in Washington, but my health isn't up to traveling that far across the country. Some day, West Coast. I'd also love to do a Canadian convention eventually...

If you'll be attending any of these, or in the area, feel free to drop me a line! I'm happy to meet people who are normally states away from me.

Wednesday, May 6, 2015

Guest Post: Peter Newman on Turning The Vagrant from Serial to Novel


Today I'm happy to present to you one of Friday Flash's original stars: Peter Newman. Peter is co-host of the lovely Tea & Jeopardy podcast, and author of The Vagrant, which was just released by Harper Voyager. While I was privileged with early glimpses of the story in its formative days as a serial, it's developed into something very different. Peter is a heck of a writer and has some insights to share from his journey into publishing. -John

The Vagrant turned up one day when I was trying to write some flash fiction. I didn’t really have much of an idea what was going to happen immediately but I went with it. It was slow going, excavating little ideas that were floating around in the darker parts of my brain.

I quickly began to realise that I wasn’t actually writing a piece of flash fiction, I was in fact writing a serial. Part One quickly became Part Two, Part Three… then Part Ten, and onwards. As the episodes went on, various things settled into place, like the fact it was going to be written in the present tense. At first I wrote it in the past tense but found myself drifting in and out by accident. As an inexperienced writer, I took that to mean that I wasn’t very good at writing consistently but I now see that I was trying to find the right way to tell the story and had to experiment for a while before getting comfortable.

Writing the Vagrant each week was a strange experience. I now had the primary character and the world was taking shape. I’d known from early on where the story was going but the path to get there always descended into the mists. I was writing the serial in thousand word chunks but those thousand words often took a long time to find.

It’s worth adding that at this time I had a lot of support from the Friday Flash community, and people took time out to comment on what I was doing. A lot of this was essentially cheerleading (which I needed then and I still need now) but there was also criticism in there too (positive and negative) and I came to cherish those comments.

Twenty five episodes later and I realised that I wasn’t writing a serial either. I was in fact writing a novel.

Transitioning from one to the other was an interesting process. There were some advantages. For example, a serial format keeps things punchy, with lots of cliff clangers and crisis points to keep the reader motivated. However, there were also drawbacks. I had no chapters! And the rhythms of a novel are different. Some scenes had to be reworked and sewn together, others expanded significantly. The other thing I found was that I still had to write slow. I continued writing in thousand word chunks. Any more, and the quality of the work suffered.

But for all of that, the core style didn’t change and the Vagrant carried on the same way he always had.

As I approached the end of the book, I realised that I wasn’t just writing a novel, I was writing a series. I’d always planned The Vagrant to be a stand-alone novel but as I moved into the closing chapters, ideas for a sequel began to blossom. That sequel is written and currently with my editor.

And now find I have ideas for a new book in that world. I very much hope I get the chance to plunge into the mists once again. And if I do, I’ll keep following the Vagrant for as long as he’s happy to lead me.

The point I want to make here is that sometimes (rarely!), you wake up with a story fully formed in your mind, or a killer concept that screams for you to start writing. Sometimes you just get a spark that needs to be followed. And sometimes, if you let it, the story will take care of itself.

with it. It was slow going, excavating little ideas that were floating around in the darker parts of my brain.

Monday, May 4, 2015

Sold Two Stories!

Part of why I've been so quiet for the last couple months is intense writing and editing work. I've had my fingers in so many different projects that I'm not sure how to begin counting them all. But today I'm happy to announce two: I've sold "Bones at the Door" to Fireside Fiction, and a special reprint of "Alligators by Twitter" to The Sockdolager!

"Bones at the Door" is a Horror Comedy about a little girl's relationship with the local flesh-eating monster. It's one of the best structured stories I've ever written, and I have to thank Max Cantor for giving it a thoughtful critique that showed me how to finish it. I can't wait to show it to you all.

"Alligators by Twitter" was my first-ever pro sale, and is the Twitter feed of a man whose house is invaded by suspiciously intelligent alligators. He really wants to trend before he gets eaten. The way we use Twitter has changed since the original publication, and editor Paul Starr helped me update the story just enough that there are some new laughs.

Both publication dates are pending, but I'll be sure to announce when they're available. Hopefully I'll have more good news in the near future. I'm about to dive back into a novel.

One sneak announcement, though: this Wednesday I'll host a guest-post by my old #fridayflash buddy Peter Newman, whose debut novel just came out from Harper Collins! I'm so proud of Peter and look forward to him telling you about The Vagrant.

Monday, March 2, 2015

#NaNoReMo - National Novel Reading Month

It's March, which means it's National Novel Reading Month. This is an annual tradition encouraging people to read the classic novels they've been putting off, because everybody has a few. As it is, I have a dozen on my shelf that I've owned for an embarrassingly long time. War and Peace is a personal shame of mine.

Readers define classics for themselves. A Tale of Two Cities and Peter Pan are part of the English canon, but Ian Fleming's James Bond novels are classics of Spy fiction. Ursula K. Leguin's A Wizard of Earthsea is a Speculative Fiction classic. If you perceive a book as a classic that you haven't gotten to yet, that's all that matters.

I've picked two books this year. The first is Alice Walker's The Color Purple, something I've heard about since high school but never sat down with. Walker has a reputation for confronting thorny issues of social hierarchy, and in The Color Purple, targets the life of a young woman in the South in the 1930's. Even the sample chapters ache with insight and historic weight.

It's a shame I overlooked this in school since History class gave me such a scant idea of African American experiences; for all I knew, they sprang into being around the Civil War, then disappeared until the Civil Rights movement. Over the years I picked up the general liberal sensitivity to issues without contextual understanding, and so avoided the enormous gaps in my knowledge. In that way, Isabel Wilkerson's The Warmth of Other Suns and watching 12 Years a Slave were necessary kicks in the ass.

If I finish with reasonable time and keep up with other reading, then my second book will be Hermann Hesse's Siddhartha. There's a certain hopscotch of cultures involved: I'm an American in 2015 preparing to read a German in 1922 writing his idea of an Indian's spiritual journey around 500 BCE. The filters are part of the appeal.

I bought my copy in 2007, and it's one of the four books I've owned the longest without reading. At my grandfather's funeral, my cousin Palmer said the book changed his life. Even if he's much younger and thus easier to change the life of, he's a smart guy, and I felt deeper shame for not giving the book a shot yet.


If you're going through a classic this month, please comment so I can add your blog, tumblr or Twitter to the master list!

Danielle La Paglia is reading J.M. Barrie's Peter Pan
Sonia Lal will be joining me for Alice Walker's The Color Purple
Ally Atherton
will also be joining me for The Color Purple
Chuck Allen will be joining me for Hermann Hesse's Siddhartha
Helen Howell is reading Mary Shelley's Frankenstein; or, The Modern Prometheus
David G Shrock is also reading Frankenstein
Katherine Hajer is reading Jane Austen's Persuasion
Charles Ross Dillon is reading Victor Hugo's The Hunchback of Notre-Dame 
Cindy Vaskova is reading Algernon Blackwood's The Willows
Dorothy Lang is reading Art Spiegelmann's Maus

Wednesday, February 11, 2015

Something Physical Books Can't Do

Debate can be such a wonderful waste of passion.
A couple months ago I discovered something physical books can't do. Yangsze Choo tweeted out that her debut novel, The Ghost Bride, was on sale for two bucks on the Kindle. Immediately I mentally scrolled through every conversation I'd had about the book, and through every person who'd seemed interested in its premise of a posthumous marriage being realized in Fantasy. Then, I started gifting copies to people. Two bucks per copy of a great novel, delivered instantly over thousands of miles, to people I held dear. It was something physical books have never offered.
Books Vs. eBooks is a wretched argument that won't actually sway consumer practices. People who grew up with physical books and enjoy the feel of pages and smell of paper won't find a substitute in e-readers. Meanwhile, kids growing up with tablets won't have the same attachment. Tablets and phones take less space, are more convenient for traveling, and have more functions than my doorstop copy of the Riverside Chaucer. Both forms have appeals, and the appeals differ between readers. Fighting between loyalists of the two forms is worse than futile, a miserable distraction from the love of reading, and of each other.
The afternoon of instantly gifting Ghost Bride was revelatory. I even signed up for a Barnes & Noble account just to gift a price-matched copy to a friend with a Nook. This was a beautiful new function I'd previously only experienced with digital videogames. Why? Because if a copy of State of Decay was 50% off on Steam, yes I'd want it, but I wouldn't buy it for myself. Meanwhile if a friend was going through a bad break-up and loved zombies? Yes, I'd be very likely to gift the game to him. That's the kind of impulse buyer I am. I don't grab the candy bar through the checkout line for myself, and I'm not alone.
It cemented itself into my heart when one friend IM'd me that she'd torn through the book. She was struggling with clinical depression and hadn't read any book to completion in a year. It was a loss for humanity, because until her problems, she was the absolute best kind of reader, enthusiastic to consume, discuss and share, with broad tastes and minimal cynicism. Health took that from her, and she was thousands of miles away, so I could never be there for her the way you'd want to be for a good friend.
And then, after finishing my two-dollar gift, she was sifting through the digital storefront for more things to read. Screw it, pun intended: her love of reading was reKindled.
I'll still browse bookstores. Yet eBooks appeal partially because my friends are global, and the neighborhood we chat in is the internet. Now I could tweet about my Ghost Bride buying kick, only to have Choo herself give me a personal message to relay my friend whose work she'd loved.
This is more exciting than Amazon's Paper White, or new screen tech that will mimic the texture of low grain paper as you swipe. This is a sharable future that appeals to me as not just a customer, nor as a reader, but as a friend. Cynically, it's a great way to get more money out of people like me. And I'll thank you for the privilege.

Wednesday, January 21, 2015

Submissions Are Open for Viable Paradise, OR, Why Leigh Wallace is My Gosh-Darned Hero



They teach you about symbolism, too.
While I was in the hospital, submissions opened for the Viable Paradise workshop. It's run by the incomparable James Macdonald and Debra Doyle, and attracts superstar staff-authors like Scott Lynch and Elizabeth Bear. If you're a beginning or emerging writer, you want to go to VP. It's held every October in Martha's Vineyard, a week in a cozy hotel space with a couple dozen other aspiring authors, and a host of professionals who critique your work and educate on the underpinnings of storytelling and the publishing industry. I learned more in one week at VP than any year of college. If you take your craft seriously, you could not ask for a better week.

But that's not why you want to go to Viable Paradise. There's something more.

Through shared interest and mutual support, some classmates came to feel like family. The workshop improved our game through insights and streamlining. In the year after my class, I sold my first pro-rate short story. Many classmates sold their first pro shorts, too, or pro flashes. One friend giddily explained to me that she was paid more for one anthology acceptance than everything she'd ever made in writing before.

That's not why you want to go to Viable Paradise, either.

If you fast-forwarded a year after VP17, you'd find that my body turned on me. Close friends, including some VP alums, were rightly scared for me. My health has always been poor, but over the course of nine months my body rejected the meds I'd always relied on, and then four new experimental courses of medication. The pain became so disorienting that my ability to multitask disappeared. I spent two hours writing symptoms on a piece of paper so I could read them at the doctor, because I was incapable of having a casual discussion about them. My ability to write, and finish stories, dwindled.

And if you care about writing, then this is why you want to go to Viable Paradise.

Because a month ago I was lost in the wilderness of illness, completely unable to edit my work anymore, despite having what I'm sure was the best short story I've ever written. It was a promising first draft, and became a phenomenal third draft, and in December I could tell it just needed its science rigorously checked. The story is about a sympathetic, even funny, protagonist with albinism, one attempt to counter the Evil Albino trope. And while I'd done a lot of legwork to depict albinism accurately, I could not check my own science further. Paragraphs felt insurmountable. The pain, and the brain-fog that chronic pain brings on, were winning. Having your best work just outside your grasp is purgatorial.

Leigh Wallace, one of my classmates from Viable Paradise, e-mailed me an offer. She'd check the science of the story for me. She'd read up on albinism and ocular disorders, and flag whatever I'd gotten wrong or left confusing. She'd point out my problems and then all I'd have to do was fix them.

She turned the story back over to me in days. The way she marked it up? It was so accessible that I corrected the entire story in a weekend. And it was a hard weekend on the health front, my friends. Leigh was my gosh-darned hero.

Now the story is out to markets, and I am on a sixth course of medication. At least for today, I'm thinking clearer and making the most of that clarity. I'm beta reading a classmate's novel.

That's why you want to go Viable Paradise. The greatest gift a workshop can give is supportive relationships with other smart writers who can have your back when your back gives out.

Submissions are open here. If you get in, congratulations! My advice is to spend half your time working hard at your craft, and the other half helping your classmates with theirs. That's the gift.

Sunday, December 28, 2014

My Best Reads of 2014

2014 was a rough year. Twice, I found myself so sick for prolonged stretches of time that I wasn't cognitively capable of reading at all. That's why it was a surprise to look over my Goodreads list and remember that I've actually read a plethora of incredible prose this year. While I may have gotten down on film and videogames, books have remained something special. This might even be my favorite line-up since we started the #bestreads tradition.

So here are my twelve darlings. I couldn't cut it any further.

Tuesday, November 4, 2014

"Wet" is in the first issue of Urban Fantasy Magazine

This week the first-ever issue of Urban Fantasy Magazine was published. Its first two stories are "A Chance of Cats and Dogs," by the award-winning Ken Scholes and "Wet," by myself. I'm honored to be in their first issue, and in this company. The magazine is currently available in EPUB and MOBI formats for Pay What You Want. One penny, ten bucks, it's up to you.

"Wet" is the story of a friendship between an immortal and a ghost, between someone who can't die and somehow who is traumatized by dying far too young.

It's a ghost that speaks exclusively in the voice of GWAR.

It's an immortal that volunteers as the fire department as a first responder, because what's the worst that can happen if the building collapses? You dig me out in a week.

The things these two can mean for each other... well, you'll see.

I'm so proud of this story, and not just because it's one of my more unbridled imagination pieces. Something I strive for is to mix to the absurdly humorous and the cathartic, which are the two things we owe ghosts. If you've ever enjoyed the imagination or humor of The Bathroom Monologues, then you're going to like getting "Wet."

A great thanks to everyone at UBF for giving me this chance. For other writers, they're open for submissions and pay SFWA pro-rates. They already have some amazing stuff in store, including work by Carrie Vaughn and Tim Powers.

If you read "Wet," I'd love to know your responses. Comment here, on UBF's site, or at my e-mail, bathroomDOTmonologuesATgmailDOTcom.
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