Showing posts with label Emma Newman. Show all posts
Showing posts with label Emma Newman. Show all posts

Saturday, June 1, 2013

Emma Newman's Any Other Name and Scavenger Hunt!

The swank cover art for Any Other Name.

It's a hectic time in my little world. We've been touched by two tornadoes in just the last week, and while I'm not sure, I may have been electrocuted. Tornadoes bring a lot more lightning than I'd expected. May have to blog a bit more about that soon.

There is some good news in the world, though. Emma Newman is launching her second novel in just one year, Any Other Name, with the brilliant Angry Robot Books. It's already out in the U.S. and will launch on June 6th in the U.K. She's invited me to help play a little game with the launch. Here's her pitch:

Wednesday, May 8, 2013

Interview with author Emma Newman

I've known Emma Newman for years through the Friday Flash group. Meeting her in person was one of my highlights of 2012's WorldCon. A busy lady, she's not only written copious flash fiction in her world, but thrust into a deep series of novels called The Split Worlds. The first, Between Two Thorns, is already out through Angry Robot Books. I'm very happy to have her over today.

John: What is the premise of Between Two Thorns? And where is the series headed?

Emma: I've previously described the book as "Urban fantasy - and a dash of noir - with feuding dynastic families, supernatural patrons, mad sorcerers, evil faeries and nice cups of tea." As the author, I feel like I'm the worst person to be asked what it's about – I just want to wave my arms and describe all of it.

Where is the series headed? I would tell you, but then I'd have to kill you, and that seems rather rude. I hate giving things away about future books, as I'm one of those people who wants to experience stories as the storyteller intended – it's why I avoid film trailers these days. I like to find out in the world, rather than hearing snippets out of context.

Oh dear, I'm not doing very well here, am I? Let's move on!

Thursday, September 13, 2012

Bonus: "A Worrisome Return" by Emma Newman

There’s a bonus on The Bathroom Monologues today! In addition to This Heavy World, we're hosting a tale from Emma Newman's Split Worlds. Emma is delightful lady, a longtime Twitter friend whom I finally met up with at WorldCon. She has a drop-dead reading voice, and has provided an MP3 reading for your additional entertainment. I'll let her set it up her story below.

This is the twenty-eighth tale in a year and a day of weekly short stories set in The Split Worlds. If you would like me to read it to you instead, you can listen here. This story is part of the build-up to the release of the first Split Worlds novel "Between Two Thorns" in March 2013. Every week a new story is released. You can find links to all the other stories, and the new ones as they are released here, where you can also sign up to receive each story free in your inbox every week (starting at the very first one).


A Worrisome Return
by Emma Newman

Aquae Sulis, 2002

Will searched for something familiar in his brother, but the man who walked through the front door bore little resemblance to the boy who'd left four years before.

Will was eight when Nathaniel had left for his great adventure and all he could remember about him was his superior strength. There were countless examples in his memory; being pinned down on top of wooden building bricks that left perfect rectangular bruises on his back and being crushed in a bear hug until he'd passed out.
   
He looked to his sister for solidarity but Imogen was beaming, no doubt hoping for a spectacular gift from their elder brother. Will was the only person in the household who seemed unhappy about his brother's return.
   
"Hullo," Nathaniel looked down at him as he crushed Will's knuckles against each other. "Still short I see."
   
"Hello Nathaniel," Will did all he could to hide the pain as they shook hands. "Still ugly I see."
   
Nathaniel laughed and released Will to clap him on the back. Will squeezed all the pleasure he could from staying on his feet despite his brother's efforts and followed the rest of the family into the drawing room.
   
"So," Father said as he poured sherry. "How was the trip?"
   
"Most enlightening," Nathaniel said.
   
"What was Paris like?" Imogen asked. "What's the latest fashion?"
   
"The only fashion worth noting in Paris," Nathaniel replied, "is that one should never appear to be concerned about fashion."
   
"He was probably too busy trying to get the dresses off them to notice anything useful," Imogen whispered in Will's ear.
   
Will tried to imagine a Paris ballroom full of beautiful women desperate to have their fashionable gowns removed but the fantasy collapsed when he thought of his brother being there.
   
The gifts for his parents were horribly boring; some kind of drink Will had never heard of for Father and Venetian glass for Mother. Imogen was given a necklace that glittered enough to make her happy and then Nathaniel fished out a small package from his travelling bag.
   
"And this is for my baby brother."
   
"I'm twelve."
   
"You'll always be the baby of the family though," Imogen said.
   
Will took the package and unwrapped the top layer to reveal tissue paper beneath. A row of tiny colourful dolls, wrapped in bright threads instead of clothes, lay within. "You got me dolls? I'm not a girl!"
   
Nathaniel laughed. "They're Guatemalan Worry Dolls. It's a custom I thought you'd appreciate."
   
"I've heard of these," Mother said, taking them from his hands to inspect them. "Oh they're adorable. Will, you whisper your worries to them and then tuck them under your pillow before you go to sleep."
   
He peered at them. Surely it was a trick. "Really? Why?"
   
"The natives believe the dolls worry for you so you don't have to," Nathaniel said. "And when you wake up in the morning the worries are gone."
   
"It's such a thoughtful gift," Mother said, handing them back to Will. "I think you should use them tonight. Now thank your brother."
   
***

Will woke in the night, alert and tense. There was a sound from the side of his bed so he peered over the edge. One of the worry dolls was lying on the floor, bathed in the light stretching under the door from the hallway. Thinking it had been pushed to the edge by his night time fidgeting he reached down, but the doll stood up and quivered before he reached it. Will snatched his hand back under the duvet as the miniature figure wobbled its way towards the door.
   
It was followed by another and then another. They were so small Will didn't feel them worming their way out from under his pillow. Casting long shadows, all six made their way to the door and wriggled under the crack beneath it.
   
Shaking, Will got out of bed and went out into the hallway. The dolls were heading for the door out of the nursery wing and into the main part of the house. He wasn't old enough to live there yet. But Nathaniel was. Just as he was about to curse his brother, the dolls lurched to the left and headed for Imogen's room instead.
   
Will followed them on tip-toe and pressed his ear against her bedroom door as the dolls wriggled beneath it.
   
He could hear her giggling and then the sound he hadn't missed at all; Nathaniel's low chuckle. His tormentors were reunited.
   
"Here comes the first one," Nathaniel said and sweat burst across Will's forehead at the thought of what he'd whispered to it. "What burdens are you carrying little fellow?"
   
Will heard his own worried whisper, the one he'd uttered to the doll earlier that evening. "What if I don't get any taller?"
   
"Oh, poor little William." The mockery in Imogen's voice made Will's stomach cramp.
   
"Ah, here's the next one," Nathaniel said. Will pressed himself tighter to the door as his breath seized in his chest.
   
"I'm worried I'll grow up to be just as stupid as my elder brother," the doll reported.
   
"What!"
   
Will covered his mouth with both hands to stifle his laughter.
   
"What if I have a nose like Nathaniel's?" Reported another doll. "What if I come back from my Grand Tour with as big a-" A thud cut off that one and no other dolls were invited to report in.
   
Will dashed back to his room, satisfied that he'd emerged from the prank as the victor. He knew Nathaniel hadn't changed and that there was no love behind the gift. His only regret was realising it after he'd whispered to the first doll.

Tuesday, September 11, 2012

Reading and Writing at ChiCon 7



Day Two of Three from the ChiCon 7 diary. Tomorrow I want to touch on disability issues at the hotel, the Hugo Awards, and seeing Saturn for the first time. Today is devoted to the public readings and private writings that go on at these sorts of conventions.

THE READINGS

I went to my share of readings over the weekend, and saw some very talented writers. The one that rocked me back in my chair was Mary Robinette Kowal, sharing “Locked In” from Apex, at the Broad Reading meeting. It’s a piece of flash fiction that captures Science Fiction, Horror, Tragedy and the Medical Thriller without succumbing to nearly any niche’s expectations, and it’s a great reminder of why Apex Magazine is a top resource in the industry.

I managed to make a total ass out of myself afterward by congratulating Kowal on that story and not realizing she was the same Mary Robinette Kowal up for a Hugo for the superb “For Want of a Nail.” It’s great when you realize the two people you’re a fan of are the same person. Not so great when you realize you're an idiot.
This is not two people.
Some people have a harder time learning this than others.
Broad Reading was a neat setup, housing over a dozen quick readings from individual members in an all-female writing group of all levels of expertise. Most official readings were for one person. Jo Walton, who won the Hugo for her touching tale of adolescence in Among Others, read from her work in progress about teens in space who want to party on the ship forever instead of land. George R.R. Martin’s reading room couldn’t have been packed any more hopelessly if he’d written it.

Friend and fellow #fridayflasher Emma Newman showed the chops she’s honed recording audiobooks in a fine reading from her short story collection and the upcoming Split Worlds. Probably the highlight for all readings for me was when she read of a curse being cast on our hero, and somewhere outside our walls, a pneumatic hiss went off and filled the room. You couldn’t pay for better publicity than that, though the hotel should check that elevator.

There’s a lot you can learn from a reading, even a bad one. Maybe especially a bad one, because you can study how authors psych themselves out. One author, who I won’t name, kept stumbling over her excerpt. At first I felt bad, but then I started constructing narration in my own head, and realized her errors were highlighting how strong the voice would be on the printed page. It was kind of uncanny, and reaffirmed a couple of things I suspect about how plot progression works. One of my recent hobbies is listening to readings or audiobooks and testing how it would sound in my head, as opposed to how it’s intended.

THE WORKSHOPS

These are an institution at WorldCons, and will hopefully be for the foreseeable future. Oz Drummond and Lou Berger organized at least eighteen different groups of three aspiring authors (“victims” is the official unofficial name). These trios were joined with two professionally published authors, forming critique groups of five, to hone the victims’ craft. I had the pleasure of working with Martha Wells and Gregory Wilson, who treated all three of us with total professionalism and consideration.

Typical writer reaction in workshops.
Our session lasted two hours, and we spent about forty on every victim, myself included. Your mileage will vary, but we were all serious about craft and I don’t think a minute was wasted. This workshop was a big test for my thoroughly peer-read The House That Nobody Built, as I thought it was near publishable an wanted to see how it would stand up to scrutiny. I left jubilant, having retained more of the positive feedback than the negative. But just as important, the negative feedback was all reasonable, like the desire for a few details, or how to streamline the synopsis. Reasonable, and addressable in just a few minutes of word processing.

So it was the positives I lingered on, which is rare for me. One of my pros asked if I’d already queried it, seeming to think it was ready. One of my pros also described it with what I wish to God will be a cover blurb: 

“This is like Dungeons & Dragons, except awesome!”

There were some other developments at the convention I can’t speak on yet, but cross your fingers for me. I’m doing everything I can with what luck I get. I can’t praise these workshops enough, if you have the fortune of attending a convention that runs anything like it. If I turn “pro,” I’d be happy to help operate one.
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