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Probably unrelated? |
I’ve been wondering a lot lately about how to recharge
writing. There are some people who never seem to stop – Stephen King infamously
told the public he took three days off a year, only to reveal he’d lied and
that he wrote on those days too. At Viable Paradise I was awed at how Elizabeth
Bear could hit her laptop in-between lectures, critique manuscripts while
jogging, and always seem to maintain writing progress even in crowded rooms of
people who wanted her attention. She reported something like 200,000 paid words last year. From afar, King and Bear seem like model
authors.
I’m not like them. Based on an informal survey of
professional authors I’ve been conducting, most aren’t like them. Most who
would disclose their beliefs believe in significant periods of recharge,
whether it’s a day or weekend off, or a few weeks or months after finishing a
novel. More authors wouldn’t disclose or couldn’t come close to pinning down
their processes.
Vacations don’t help me very much. In recent years I’ve kept
data on myself around when I take breaks from composition and editing, and
there’s very little correlation between a break and output at resumption or
upon starting something new. While my recent novel-writing campaign started
amazingly, it was one of seven projects I took significant breaks between in a
three-month period, and was one of only two that seemed to jump out of the
gate. The others ran on will power and routine until I could build up the steam.
Perhaps more importantly, I notice I don’t feel mentally
refreshed upon returning to work. Most recently I was derailed from my novel by
bronchitis, and then had to leave home for travel. As awful as bronchitis was,
I was relieved to stop work because of anxiety about whether I was executing
the novel correctly. After weeks off, I resumed yesterday and felt absolutely
as incapable of getting it right as I did before. This morning I awoke feeling
like I had nothing left inside of me, which is disturbing for a living being to
believe.
It wasn’t until I helped a mother in a check-out line that
the feeling changed. A joke fell out of me, and she laughed, and seemed a
little relieved despite the child kicking her hip. It was as though giving
someone that little relief temporarily validated me, and I felt like if I had a
keyboard right then, the clouds would part.
This isn’t a whining session. It’s an invitation to you,
friends, fellow readers and writers.
What do you do to recharge?
We know that it’s something taxing, partially on the body
and partially on the mind. It’s something that everyone needs to pause from,
and walk away from for the day. It may be that everyone has a different
recharge cycle, or a different set of recharge cycles – surely some full-timers
take the occasional afternoon off while also taking periodic vacations, while
others are more idiosyncratic. That leads us to question what we do in those
periods that restores us.
I’ve tried both avoiding reading anything and reading a
great deal, and within the latter, reading narrowly and broadly. None of the
above seems to change things. Do you read to recharge? If so, what? Is it
research? Is your reading compartmentalized?
Many of my breaks have been around my home. If you know my
health, then you can figure that I don’t travel often. Yet when I do travel,
returning home doesn’t seem to have changed anything, whether I departed for
family emergencies or to hang out with friends. Do breaks work on you? What is
it about them?
There are authors who juggle 8- and 12-hour jobs and write
in excavated free time. There are authors who are full time parents and still
hit the keyboard every day of the week. Is there a shorter recharge cycle
there? Do the Kings and Bears of the world recharge primarily in shorter runs,
in breaks to jog or have dinner with family? If so, how do those refresh cycles operate?
A few questions for you. Perhaps too many. Feel free
to drop any answers you have, even the partial ones. Most of the writers I’ve
talked to about it seem to live on partial answers.