Mandy (2018)
Mandy is an exquisite train wreck. It is a movie that takes
forever to do anything, then soaks the screen in torrents of gore. Just when
you feel like you’re wasting your time, it provides a shot or a quote or a
devastating smile that leaves you flailing. When my friends and I finished the
movie, we were in shock not because of the chainsaw fight or the skull
crushing, but because of the devastatingly silly final image.
Mandy is a retro
Grindhouse movie, layered in effects to mimic the feel of trippy, ultraviolent
revenge movies of the 70s. There’s a little Evil Dead, and a little Hellraiser--
actually there’s a lot of Hellraiser; the demonic biker gang look like they’re
from Pinhead’s high school class. The fig leaf of a plot is that Nicholas Cage
plays a lumberjack with a Metal-head girlfriend. The local cult leader decides
he likes that girlfriend, and summons his cult and a local gang of demons to
abduct her. Cage must go on a journey for gory revenge without ever once wiping
his face.