Reading While Writing

By Mendhak [민다ᄏ] [CC-BY-SA-2.0 (www.creativecommons.org/licenses/by-sa/2.0)],
via Wikimedia Commons

I read capriciously. Some times I want Horror, others long Fantasy, or I’ll binge on history or pop science or anything that makes me laugh. I’m a terrible consumer of books, perpetually borrowing and purchasing more than I’ll read. I had copies of Good Omens and Dirk Gently’s Holistic Detective Agency for eight years before actually finishing them. Upon recent reflection, I realized nothing’s gotten in the way of my reading more than writing.

Reading consistently is nigh impossible when I’m working at high volumes, plugging into a novel daily or spurting out short stories every week. I have anecdotal confirmation from other writers in multiple fields that it’s the same for them. You spend so much time producing and criticizing words that your enthusiasm or energy is spent. I write “or energy” because there are times when I hanker for that new Stephen King. Then I pick it up and even his mastery of voice can’t get me through two pages. My mind won’t go. It’s irksome to realize that you are still able to watch a movie, play videogames or have a night with your significant other. More irksome when your significant other finds out you think that's bad.

I ran into a new complication while composing my next novel. When I did read, I was reading less useful things. Yes, Cobra II was an important report – but shouldn’t I be catching up on fiction? Fiction in my genres? Or all those classics that I bought and swore I’d go through? Laurence Sterne can’t read himself. He’s dead.

Triage of reading while in heavy-production periods was too difficult. I could take in a superhero trade paperback, but not Walter Isaacson's Einstein. Simply to get through my pile, I had to cave and let myself read whatever my mind could grab onto. A grown writer was excusing himself, “At least he’s reading.”

If I couldn’t curate individual reading order, I had to triage what was available. My old formula had been to read:

1. One contemporary Speculative Fiction book (since Horror and Fantasy are my primary wheelhouses).

2. One important Speculative Fiction book over ten years old.

3. One piece of classic fiction literature.

4. One book of non-fiction of any stripe I pleased.

5. One trade comic book or miscellaneous publication over one hundred pages.

All in about that order. The first two covered my primary industry, then I plugged into my passions for older books, the style of which always left me ready for thoughtful non-fiction, before closing with comics. Comics are the easiest thing to read – I’ve had English teachers who said they weren’t reading at all. My whole scheme worked so well before I began working so well.

I examined the formula for my new habit. Now I’d only borrow or purchase books like this:

1. Does it have three or more recommendations from friends, peers and/or critics you trust? Should you trust them – have they steered you incorrectly before?

2. Is it popular? Is it selling fast? You need to know more about the marketplace. Remember how embarrassing it was when you thought Toni Morrison was a guy?

3. Is it important Speculative Fiction? You can always know more about the history there.

4. Is it a classic? Is it at least really old? How cheap can we get this thing for? If it’s not in the library or very inexpensive, come back in three months and ask me again.

5. Non-fiction, you say? Is it that fascinating? Wait six months, then ask me again.

6. Is it in the twenty-five cent bin? Okay, you can have it.

That last is why I read four Greek tragedies in a row. Thanks, thrift stores.

The new checklist of priorities made sure I only had specific books available. If I am going to read capriciously, it’ll be from a thoughtful selection. It’s akin to shopping when you’re full, so the wiser choices will be in your cupboard. Sometimes that leaves me scanning the shelves for literary Oreos, but you can only eat what you've got.

If you regard my Goodreads scroll for the last two months, you’ll see that those literary Oreos have still popped in. Comics are allowed in, in moderation. Even the Persepolis and Bone-type comics are easier reading, I respect them as an art-form, and hey. “At least he’s reading.”