Wednesday, May 6, 2015
Guest Post: Peter Newman on Turning The Vagrant from Serial to Novel
Today I'm happy to present to you one of Friday Flash's original stars: Peter Newman. Peter is co-host of the lovely Tea & Jeopardy podcast, and author of The Vagrant, which was just released by Harper Voyager. While I was privileged with early glimpses of the story in its formative days as a serial, it's developed into something very different. Peter is a heck of a writer and has some insights to share from his journey into publishing. -John
The Vagrant turned up one day when I was trying to write some flash fiction. I didn’t really have much of an idea what was going to happen immediately but I went with it. It was slow going, excavating little ideas that were floating around in the darker parts of my brain.
I quickly began to realise that I wasn’t actually writing a piece of flash fiction, I was in fact writing a serial. Part One quickly became Part Two, Part Three… then Part Ten, and onwards. As the episodes went on, various things settled into place, like the fact it was going to be written in the present tense. At first I wrote it in the past tense but found myself drifting in and out by accident. As an inexperienced writer, I took that to mean that I wasn’t very good at writing consistently but I now see that I was trying to find the right way to tell the story and had to experiment for a while before getting comfortable.
Writing the Vagrant each week was a strange experience. I now had the primary character and the world was taking shape. I’d known from early on where the story was going but the path to get there always descended into the mists. I was writing the serial in thousand word chunks but those thousand words often took a long time to find.
It’s worth adding that at this time I had a lot of support from the Friday Flash community, and people took time out to comment on what I was doing. A lot of this was essentially cheerleading (which I needed then and I still need now) but there was also criticism in there too (positive and negative) and I came to cherish those comments.
Twenty five episodes later and I realised that I wasn’t writing a serial either. I was in fact writing a novel.
Transitioning from one to the other was an interesting process. There were some advantages. For example, a serial format keeps things punchy, with lots of cliff clangers and crisis points to keep the reader motivated. However, there were also drawbacks. I had no chapters! And the rhythms of a novel are different. Some scenes had to be reworked and sewn together, others expanded significantly. The other thing I found was that I still had to write slow. I continued writing in thousand word chunks. Any more, and the quality of the work suffered.
But for all of that, the core style didn’t change and the Vagrant carried on the same way he always had.
As I approached the end of the book, I realised that I wasn’t just writing a novel, I was writing a series. I’d always planned The Vagrant to be a stand-alone novel but as I moved into the closing chapters, ideas for a sequel began to blossom. That sequel is written and currently with my editor.
And now find I have ideas for a new book in that world. I very much hope I get the chance to plunge into the mists once again. And if I do, I’ll keep following the Vagrant for as long as he’s happy to lead me.
The point I want to make here is that sometimes (rarely!), you wake up with a story fully formed in your mind, or a killer concept that screams for you to start writing. Sometimes you just get a spark that needs to be followed. And sometimes, if you let it, the story will take care of itself.
with it. It was slow going, excavating little ideas that were floating around in the darker parts of my brain.