Showing posts with label JK Rowling. Show all posts
Showing posts with label JK Rowling. Show all posts

Tuesday, May 28, 2013

Writing for Millions

Everybody wants to be a writer and they should. Go to any bookstore and read the names. Stephanie Meyer. J.K. Rowling. The Da Vinci Code Guy. I never hear about these people collecting garbage or working at Wal-Mart. Writing must be all they have to do, which means they have to get paid a lot. Now look at the whole bookstore. That’s a lot of writers, all getting paid millions of dollars. And it’s so easy to write!

I read a book by Mark Twain once and it sounded like how people talk. Imagine how easy it was for him to just write what he’d say. You could talk into a tape recorder for a while and then pay someone else to type it out for you with the millions of dollars all writers get paid.

But if you are old fashioned and want to write by hand, that’s fine. All you have to do is sit and type. You don’t even have to type that much. Ernest Hemingway once said that if you write a page a day then you have a 365-page novel at the end of the year. I’ve never checked his math but assume he’s right because he’s famous. So if you write about a page, you’re pretty much done for the day. Thanks to Spell Check you don’t even have to edit anymore.

Also, I never heard of Hemingway doing anything but writing and getting drunk. Again: writing is a sweet job since you don’t have to do anything else in your whole life.

I don’t really know how publishing works, but you get paid in a lot of ways. There’s the advance before you even write it, then they pay you when you give them the book, and royalties when they start selling it. Since you get millions every time, that’s three million for one book. You get even more millions after they make a movie out of it. A lot of movies are based on books, so I assume all books become movies that pay you extra and you don’t even have to pay taxes on that.

It’s not all fun, though. Eventually your hand cramps up from signing so many autographs and people who are scared of crowds might get nervous from being stopped and fondled on the street by their flocks of teen fans. I’m sure it gets annoying eventually. It’s probably why Hemingway drank. I don’t know because I’ve never read his books. But what I’m saying is that if you’re not ready to be rich and really popular, writing might seem overwhelming. Fortunately book tours and interviews are totally optional since they pay you the same no matter what.

I’d tell you more but this is almost a full page. So in conclusion, I want to write because it’s easy and pays a lot.

Wednesday, June 13, 2012

The Problem With Prologues

Not a month goes by when some agent or editor doesn’t decry prologues. Allegedly they drive away readers and signal poor quality fiction; they are labeled unnecessary and signs of poor craft, too short or abrupt, useless and dissonant from the main narrative. Last night I talked to an agent who said she tosses any manuscript that features one.

I’ve never been rejected over a prologue. It’s just a pet peeve of mine because not a month goes by when I don’t read a popular novel from traditional publishing that opens with a prologue. When they’re poor, I simply skip to the main body of the novel, as I suspect most audiences actually do.

But if this anti-prologue dogma is going to be preached at all emerging writers, the industry ought to hold their actual employees to it. Below is a very incomplete list of some notable prologue-uses.

1. J.K. Rowling’s Harry Potter and the Sorcerer’s Stone (debut novel)
2. Patrick Rothfuss’s The Name of the Wind (debut novel)
3. Patrick Rothfuss’s Wise Man’s Fear (Locus nominee for Best Fantasy Novel 2012 –1/5)
4. Brandon Sanderson’s Elantris (debut novel)
5. Brandon Sanderson’s Mistborn Book 1: The Final Empire
6. Stephanie Meyer’s Twilight (debut novel)
7. Vernor Vinge’s The Children of the Sky (Locus nominee for Best Science Fiction Novel 2012 – 1/5)
8. Stephen King’s Carrie (debut novel)
9. Stephen King’s Salem’s Lot
10. Stephen King’s The Dead Zone (King’s first #1 Bestseller)
11. Stephen King’s 11/22/63 (Locus nominee for Best Science Fiction Novel 2012 – 2/5)
12. Christopher Paolini’s Inheritance Series Book 1: Eragon (debut novel)
13. George R.R. Martin’s A Game of Thrones (debut novel)
14. George R.R. Martin’s A Clash of Kings
15. George R.R. Martin’s A Storm of Swords
16. George R.R. Martin’s A Feast for Crows
17. George R.R. Martin’s A Dance with Dragons (Hugo nominee for Best Novel 2012 – 1/5; Locus nominee for Best Fantasy Novel 2012 – 2/5)
18. Max Brooks’s World War Z: An Oral History of the Zombie War (debut novel)
19. Daniel Abraham’s A Shadow in Summer (debut novel)
20. Daniel Abraham and Ty Franck’s Leviathan Wakes, as ‘James Corey’ (Hugo nominee for Best Novel 2012 - 2/5; Locus nominee for Best SciFi Novel 3/5)
21. Jo Walton’s The King’s Peace (debut novel)
22. Jo Walton’s Among Others (Hugo nominee for Best Novel 2012 - 3/5; Locus nominee for Best Fantasy Novel 2012 – 3/5; Nebula nominee for Best Novel 1/6)
23. Terry Pratchett’s The Color of Magic (debut novel)
24. Terry Pratchett’s Snuff (Locus nominee for Best Fantasy Novel 2012 – 4/5)
25. Catherynne Valente’s Deathless (Locus nominee for Best Fantasy Novel 2012 – 5/5)
26. Garth Nix’s Abhorsen Trilogy Book 1: Sabriel
27. Garth Nix’s Abhorsen Trilogy Book 1: Lirael
28. Garth Nix’s Abhorsen Trilogy Book 3: Abhorsen
29. Seanan McGuire’s October Daye Book 1: Rosemary and Rue (debut novel)
30. Seanan McGuire’s The Newsflesh Trilogy Book 1: Feed, as ‘Mira Grant’ (debut novel as Mira Grant)
31. Seanan McGuire’s The Newsflesh Trilogy Book 2: Deadline, as ‘Mira Grant’ (Hugo nominee for Best Novel 2012 – 4/5)
32. China Mieville’s Perdido Street Station (debut novel)
33. China Mieville’s The Scar
34. China Mieville’s Embassytown (Hugo nominee for Best Novel 2012 – 5/5; Locus nominee for Best SciFi Novel 4/5; Nebula nominee for Best Novel 2/6)
35. N.K. Jemisin’s The Kingdom of the Gods (Nebula nominee for Best Novel 2012 – 3/6)
36. Jack McDevitt’s Firebird (Nebula nominee for Best Novel 2012 – 4/6)


Just imagine a publisher shunting one of those debut novels over a prologue. Now, remember how many times J.K. Rowling was rejected. And you know what? It's susceptible to all the criticisms lobbed at aspiring authors in workshops, and it's perfectly functional.

Two of the six Nebula nominees for Best Novel lack prologues: Kameron Hurley’s God’s War and Genevieve Valentine’s Mechanique: A Tale of the Circus Tresaulti. God’s War has literary quotes from The Bible and The Quran, but nothing resembling narrative in the way of Mira Grant’s blog excerpt about “The Wall” or Vernor Vinge’s Chapter 00. Meanwhile, the fifth of the five Locus nominees for Best SciFi Novel is Charles Stross’s Rule 34, which I’m told lacks a prologue - I don’t have a copy and couldn’t find a preview online.

So out of all the books nominated for a Nebula, Hugo or Locus this year, either two or three of the twelve open with Chapter 1. None of those books nominated for more than one of the awards lacks a prologue. All of the nominees that hit #1 on the New York Times Bestseller List have prologues. Of the nine-out-of-twelve majority, guess how many of the prologues are short and dissonant from Chapter 1.
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