Chandler and I met in the Lit classes of Bennington College. She's been furiously pursuing fiction ever since, and her debut novel has just come out with Chizine Publications. It's unusual take on circuses called
Goldenland Past Dark. I'll let her tell you what it's about.
John: For newcomers, what is the plot of Goldenland Past Dark?
Chandler: Goldenland Past Dark
starts out as a coming-of-age story of sorts, about a sixteen-year-old
hunchbacked clown named Webern Bell who runs away to join a ramshackle
circus lead by his friend and mentor, the ringmaster Dr. Show. Despite
his successful escape from home, though, Webern is still haunted by
memories of his dark family history, which become creative fuel for the
surreal clown acts that come to him in dreams. But when heartbreak,
grief, and the reappearance of his sinister sisters send his life into a
downward spiral, the already thin line between fantasy and reality
blurs, and the world of his imagination threatens to consume him
completely.
John: What attracted you to a traveling circus for this novel? Did it
start with them, or with a character idea who wound up fitting in one,
or something else entirely?
Chandler: It was a bit of a combination.
Originally, I started out writing stories about Webern Bell's childhood
(some of which you can read on my website
here),
but I always knew I eventually wanted him to become a clown; I just
didn't know that part of his life would become the subject of an entire
book.
Circuses appeal to me as the subject for fiction because they're
families of misfits -- people held together more because of their shared
status as outsiders than because of any real commonality with each
other. Writing about one gave me a great license to create a variety of
characters, and to put them in conflict. I also wanted to explore the
practice of a dying art form -- in the 1960's, when the novel is set,
the circus was no longer as important to a culture increasingly
gravitating toward television and the movies for entertainment. As a
writer, I suppose there's something I identify with about that.
John: There’s a deal of fiction about circuses. Are there any tropes
or traditional representations you wanted to explore or subvert?
Chandler: The
big thing I wanted to get away from was the cliche of the creepy clown.
John Wayne Gacy and
It by Stephen King have created an indeliable
impression in people's minds, and that's understandable, but
clowning/mime is a form of artistic expression that dates back to the
earliest forms of live entertainment, and when you look at performances
by greats like Emmett Kelly, Marcel Marceau, and Charlie Chaplin (just
to name a few who are easy to find on YouTube), you see that they're
able to convey a whole world of expressive emotion within its
time-honored constraints. It strikes me as so dismissive and wrong to
look at all that and just say, flatly, "Clowns scare me."
What I do think is spooky about clowning is the same thing that's
spooky about any imaginative endeavor: the way it offers escape into an
alternative persona and an unreal realm that may seem seductively more
appealing than the artist's real life.
John: What is your favorite thing about the book?
Chandler: I like
Webern's clowning dream sequences; I feel like some of my strongest
prose is in there. I also like his romance with Nepenthe the Lizard
Girl, and where it ends up going, but I'll stop there for fear of
spoilers.
John: That's fair! So how did you come to work with ChiZine? They’re fantastic.
Chandler: They
are fantastic!
I actually discovered them on the Poets & Writers small press
database, and as soon as I started looking at their website, I realized
that their aesthetic was right up my alley. It was a real eureka
moment. For folks reading this at home, I highly recommend checking out
any of their other titles, especially
Hair Side, Flesh Side by Helen Marshall,
The Inner City by Karen Heuler,
Chasing the Dragon by Nick Kaufmann, and
Sarah Court by Craig Davidson, just to name a few of my favorites.
John: How is ChiZine helping you promote the novel?
Chandler: I've been
doing a bit of a blog tour, and they've been great about getting advance
copies to reviewers. So far I've been reviewed in Library Journal and
Publishers Weekly, so I'm pleased about that.
John: Were there any key influences on you in writing
Goldenland Past Dark?
Chandler: The
most important was easily Steven Millhauser; I'm consistently blown
away by his ability to translate visual images into luminous,
breathtaking prose. And not just static images either; he can show you a
magic trick, a knife-throwing act, a Saturday morning cartoon, all with
a grace and eloquence that feels just effortless.
I was also definitely influenced by Angela Carter, particularly her stupendous novels
The Magic Toyshop and
Nights at the Circus. And I owe a debt to
The Tin Drum, with its similarly stunted protagonist.
John: This is your debut novel. I'd love to wrap up asking: do you know what’s next for you?
Chandler: Another
novel, about an alternative reality version of New York City under
constant attack by dragons. You can read a short excerpt from it
here.
In addition to bringing an excerpt of her next novel, Chandler is also running a giveaway for Goldenland Past Dark. You can enter for free right here.