Sherri puts an arm around me like Carlos was never allowed
to in the hospital, tucking my shoulder into her flabby armpit. She feels like
dough taken out of the oven too early, and she smells like sea salt and basil,
and I dread what she's been cooking while I've been in the hospital.
"Getting drowsy?" she asks, or prods. I can't tell
which. I used to be able to. The differences used to annoy. Before these new
drugs.
"Nah," I say, shaking my head briskly, trying to
wake myself up. I get more tired with every swipe of my head. Dr. Preisblatt's
drugs have reversed the way my body wants to act. "I'm good. I'm great. I'm
the best." I repeat things more often now.
"Because you look drowsy. It's about time you
slept."
"I'm not going to sleep before you," I say to my
chest. I didn't even realize my chin was down there again. Jesus wept. I
scratch at the bandages, and I think I feel a suture slip. It's like the
release of a pinch.
Sherri pinches my cheek, probably because it'll annoy me. It
doesn't. The drugs don't let it, but I remember that it would have annoyed me
three weeks ago. I pinch her cheek and we snort with laughter together.
"Thirty-six hours with no shut-eye is bad," Sherri
says in a tone that can't be suggestive to me right now. "And you're too
tense. Your shoulders are like one of those bridges."
Like she is testing my shoulders with her armpit. Sherri was
always a weirdo. I explain, "I don't like being asleep when other people
aren't. It's... complicated."
"A Facebook status is complicated," she says.
"You've got trust issues."
"Dr. Preisblatt tell you that?" I ask her, but
also my lap. I forgot to put my skirt back on. This should feel awkward. It's
wrong that I'm not embarrassed.
"You had them in high school. Remember when you'd sneak
into the boys' bathroom to piddle?"
"Because there was no one in there. Is it a crime to
pee alone? I hope you didn't spread that around."
"And I watched out for you then." She plucks my
bangs and tucks them behind one of my ears. She's trying to give me a look and
I can't read it no matter how much I blink. "So... let me. Okay?"
"Whoa, did Dr. Preisblatt tell you? She's not allowed
to fucking talk to you. That's privileged something-something."
"She said you trust me. And you told her the bathroom
story."
"I don't trust that quack anymore," I say, or I
almost say, until I interrupt myself with a yawn. It's a ripper of a yawn, and
my eyes squeeze closed. When they open, Sherri is smiling into my face. Her
mouth is so close that even the drugs can't suppress recognizing that dopey
jack o'lantern smile. It's awesome to remember feelings.
She asks, "Do you trust me?"
"Yeah. Sure."
"Don't yeah-sure. Do you?"
"Yeah," I say, and have to clamp my mouth shut to
stifle the 'sure' follow-up. It's natural, not snark. I'm not always good with
processing things, which has been evident recently. My wrists itch, and I reach
for one of them, and Sherri intercepts my hand, hugging me into her doughy
side. She smells more like brine than sea salt. Maybe she's found a new place
to swim while I was in the hospital, better than the local beach full of broken
shells that cut up your feet.
Sub or even semi-consciously I don't trust falling asleep either, it's like a rehearsal of death, you may just never wake up on the other side of the sleep...
ReplyDeleteI was curious why all his motor functions were impeded, yet his sense of smell was really sharp. They do say that the sense of smell is the most primeval of our senses & zeroes straight in on the brain.
I think there's a lot here re the effect of the drugs on the body, you could extend that into a longer piece if you were of a mind to
marc nash
Perhaps I'm too comfortable with the notion of death and that's why I'm generally so eager to fall asleep. What a thought.
DeleteAnd what would you want to see in a longer version of this, Marc?
Marc, did you mean "her motor functions"? Isn't the narrator female?
DeleteI also really liked the power of the sense of smell. The most powerful trigger for nostalgia that I know. Thanks.
ReplyDeleteAnd thank you for the kind words. I'm glad it touched down for you.
DeleteThey have an odd relationship.
ReplyDeleteI'm not that leery. I'd be out like a light.
Nobody has ever tried to kill me while I slept.
ReplyDeleteThat you know of....
DeleteCouldn't help it Tony, you stepped right into that one. :)
Sorry for the hijack Jon
I did not recognize the extent of the injury or illness until I read the keywords under the story, but we have already established the fact that I often don't get your humor mostly because I lack that sense, it seems, or I am not looking for it. I really liked the description of her "flabby armpit" and "She feels like dough taken out of the oven too early." Where others mentioned the sense of smell I was more impressed by the sense of touch. Overall, the character's vulnerability in this exhange are strongly evident. Good job, John. I liked it.
ReplyDeleteTouch and smell were the tactile grounds I tried to work this one through. Very happy the armpit landed for you, Susan. I admit to having taken a little too much pride with that passage.
DeleteAnd you get what you get - I have no grounds to tell you you're wrong. I may just as easily have gone too subtle or obscure in reference to what happened to the narrator.
Oh dear this piece was fantastic, but made me very, very, very anxious for some reason!
ReplyDeleteI'm not sure I got all the between the lines stuff. She slit her wrists, but now she's having trouble sleeping? The drugs make her anxious to stay awake? I think dealing with a large Word file this morning has melted my brain at least as much as our MC here. :-P
ReplyDeleteHeavy editing melts my brain for subtext as well, though I'm also willing to accept flaws in my story. Trying to go surreal in this fashion is always a risk for me. Happy to have any other readers pipe up if they have issue.
DeleteLoved the sensory descriptions:)Interesting psychological piece - raises many questions: Why she hurt herself, who is Carlos, what exactly is the relationship between her and Sherri, the type of drugs she's on...Will there be more?
ReplyDeleteI think this is a hard slice of life vignette. I wanted to take the narrator from the middle of things to that ending point of some tranquility while leaving the baggage all around the scene. Does it sound weird that this felt like doing the narrator justice?
DeleteI enjoyed this take on a difficult subject, John. I like the way it left me with a lot of questions - should she trust Sherri? What drove her to this point? etc. I think I liked that because these situations always leave a lot of questions. It least she made it through and is getting help.
ReplyDeleteGreat detail in this John and I agree with Marc, you could continue this into a short, or even longer.
ReplyDeleteI really felt the character's perspective here. Being drugged up is never nice, especially in the hospital. And the feel of the itchy wrists was quite awful.
ReplyDeleteJai
Nicely done, John. Difficult subject matter handled in an almost surreal manner.
ReplyDeleteThere's something twisty going on here, a very strange energy between the two characters. Color me intrigued!
ReplyDeleteI got a playful feel between the narrator and Sherri, even in these dire circumstances. I think you handled it well.
ReplyDeleteI didn't get that she was a girl at first. Realized this a couple of paragraphs in. LOL wonder what else I missed. Is she and the other girl friends or lovers? I can't quite tell?
ReplyDeleteReally liked the descriptions and all the sensory detail.
ReplyDeleteThere is nothing, nothing, nothing worse than somebody who wants to care for you and you can't stand them. Maybe she wasn't supposed to, but Sherry creeped me out. In an effective sort of way.
ReplyDeleteI'm not sure that I found this surreal, per se, but it was a bit difficult - I felt like she shouldn't trust Sherri, that there was some kind of ulterior motive, and I was wondering if maybe Sherri had a lot to answer for in putting her in that position to start with.
ReplyDelete"She feels like dough taken out of the oven too early, and she smells like sea salt and basil, and I dread what she's been cooking while I've been in the hospital."
ReplyDeleteThis line sold the whole damned thing for me.
And this reminds me of an exercise in unreliable narration cause no matter how suspicious I may be of Sherri or Dr. Preisblatt I'm more suspicious of the drugged-out, itchy-wristed narrator by far.