At the outset Cobb is within Saito’s dream, which is secretly within another architect’s dream. If you follow Cobb carefully through this dream mansion you’ll notice something about the glass doors on the upper floor.

The molding is intricate and familiar. Upon review, it is almost identical to the Legendary Pictures logo. Legendary Pictures is a film company established in 2005.
We follow Cobb out this window and through the next two levels of dreams until Saito hires him to “incept” Robert Fischer. Fischer also seems familiar. At first I couldn’t place him– I don’t know many pretty boys who inherited billion-dollar companies. It only hit midway, when a bag is thrown over his head and chemicals dumped onto his face.

The head-bag is highly reminiscent of The Scarecrow in Batman Begins. The chemicals are a clue; Scarecrow used gases to induce mental states in his victims.
You’ll say these are coincidences. So a door in a dream looks like a symbol. So Fischer really reminds me of a supervillain. But before you close this article, ask yourself: have you really looked at Cobb?

That jawline. That face, desperately squinting to appear young and old at the same time. Haven’t you seen all his mannerisms somewhere before?
You have. According to its profits, you and everyone else on earth has seen Titanic, which features one “Jack Dawson.” The resemblance is uncanny, and becomes frightening if you watch Titanic all the way to the end and realize Dawson isn’t real.
This will seem insane to some, but I believe Cobb and Dawson are the same person. Further, I believe Fischer and Scarecrow are the same person, and that nearly everyone else in Inception is some kind of pretender. The reason you don’t understand Inception is not that it was all Mal’s dream, or five dreams within dreams, or psychic backwash from limbo. It is actually more bizarre than any existing explanation: some plotted concoction, complete with mass human conspiracy, dynamic lighting and artificial orchestra, the whole thing either given too little external construction such that elements fail to make sense, or given so much thought that we can’t grasp it. You might call it “a movie.”
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